Blog

Legal Discipline and LegalZoom

Posted by Nicholas Wells on April 06, 2013  /   Posted in Trademarks

A few months ago, the U.S. Patent and Trademark Office dealt with a disciplinary case where a person ran an “inventor’s network” and handled more than 150 patent applications, even though he was not a registered patent attorney. Although the bar to becoming a registered patent attorney is high, the USPTO has very rarely gone after anyone for the unauthorized practice of patent law. And while this was perhaps an especially blatant case, it highlights the need to protect the public by enforcing the ethics rules that attorneys are required to live by.

Thanks to PLI for bringing up this disciplinary case.

To be clear, I am not a registered patent attorney. My undergraduate degree is in Linguistics so I’m not eligible to sit for the patent bar. I work with several trusted colleagues whenever my clients need assistance with patents.

But this issue brings to mind the concerns I have as a trademark attorney when I see people using LegalZoom and similar services to file their trademark applications.

I don’t think LegalZoom is doing anything illegal or unethical. They save people a lot of money compared to what most trademark lawyers charge.



Yet there is a serious but subtle risk that people who use LegalZoom or similar services will assume they are receiving “professional” guidance without realizing the limits of that guidance. The line where procedural guidance ends and legal advice begins is a very fuzzy one for virtually all non-lawyers. As a result, I believe that LegalZoom customers are likely to assume, despite all disclaimers to the contrary, that LegalZoom will exercise more judgment and expertise on their behalf than is actually the case.

I see this when I help someone who has filed for a trademark through LegalZoom and then needs assistance resolving a problem that develops. The problem will often be one that could have been avoided if a lawyer had guided the client through the application process. That was not the job LegalZoom was hired to do, but the client seems perplexed that the professional service that they paid for didn’t foresee or avoid the problem that arose.

I suspect that the same issues may arise when LegalZoom or similar document service companies form new LLCs, draft wills, or perform other services. The problems are just manifest more quickly for a trademark, which is examined by the USPTO a few months after filing.

There is a price to be paid for professional, personalized legal services. It is a much higher price than what automated or cookie-cutter service bureaus can offer. But these low-cost service bureaus need to be certain that customers understand what they are—and are not—receiving for their discounted fees.

When Superman Sues You

Posted by Nicholas Wells on February 12, 2013  /   Posted in Trademarks

Can Super Heroes Be Trademarked?

A recent piece at the Guardian discusses the efforts of comics creator Ray Felix to resolve a dispute with Marvel Comics and DC Comics about his comic title A World Without Superheroes.  The issue may shock you:  SUPER HEROES is a registered trademark in the US for comics, so Felix’ use is—say Marvel and DC—trademark infringement.

I expected Batman, Spiderman, Iron Man, Green Lantern, and Incredible Hulk to be trademarked.  But Superheroes?  It didn’t seem possible.  I thought of the Super Friends  (which I used to watch religiously at 6:30 every Saturday morning).  What would Aquaman do in a situation like this?

So I checked it out, and it’s true:

  • US Registration 0825835 for SUPER HERO for costumes
  • US Registration 1140452 for SUPER HEROES for toy figures
  • US Registration 1179067 for SUPER HEROES for comic books and magazines

Plus a few others, all apparently owned by a subsidiary of Marvel Comics.

It doesn’t seem right, and maybe it isn’t.  From the perspective of a trademark lawyer (that’s me), the trademark Super Heroes may well have become generic.  That’s not a slight on Spiderman.  It’s a legal term meaning that the words Super Heroes are no longer connected in the minds of customers with a particular seller—a particular source for comics books or toy figures.

Many famous brands have already become generic, or nearly so: When we talk about a thermos, or a band-aid, or a kleenex, we’re using a word that someone invented as a trademark (thermos brand vaccuum flasks; band-aid brand bandages, and kleenex brand facial tissues, to be precise).  But then those words became so closely associated with a type of product that they were no longer associated with the single company that invented the term.

One could say that the same thing has happened with Super Heroes, if for no other reason than that everyone who reads about the troubles of Ray Felix trying to use the word Super Heroes in the title of his comic book is incredulous.

But the problem facing Mr. Felix is one common to small businesses everywhere.  Marvel owns the trademark registrations above, so it is free to assert them—to say that they are still valid.  If you want to disagree, you’ll have to do a boatload of research, get a federal judge to look carefully at the issue, and then rule in your favor.  Even if we all think you’ll win, someone has to pony up $100,000 or more to make it happen.

Until then, at least we can sleep well at night knowing that Marvel Comic’s lawyers are keeping the streets safe for Superman.

Three Reasons Why You Should Be Careful Using Crowdfunding

Posted by Nicholas Wells on February 09, 2013  /   Posted in Trademarks

jobless manCrowdfunding can be great.  Kickstarter, Indiegogo and dozens of others can get donors signed on to your projects and help you create the Next Big Thing.  But before you rush to post your idea and start collecting quarters, consider the risks as well.  Seth Quest forgot about that part.  He just declared bankruptcy because a donor to his Kickstarter project sued him for nonperformance (Seth couldn’t bring his project to market after collecting donations).  Sure, I think the guy who sued him was being unreasonable, but there are lots of unreasonable people out there.

Here are three key legal risks that you face when you post a project on a crowdfunding website.

1. Killing Your Patents

Disclosing your patentable idea starts a one-year clock under the U.S. Patent Act.  If a patent application is not filed during that time, then a patent cannot be filed.  And the news is even worse in other countries where you might want to protect your idea.  AND, beginning in a few weeks, the American Invents Act will have the U.S. move to a “first to file” patent system.  At that point, you could be in a race with your donors to reach the patent office.



2. Losing Your Brand

The basic rule is that whoever applies to register a trademark first will get the registration and can block other similar trademarks.  If you use your cool new brand name and logo to submit a crowdfunded project, someone else could file for trademark protection before you do.  You could file a lawsuit to get the trademark back, but that would eat up a lot of those crowdfunding quarters you’ve been collecting.

3. Giving Away the Farm

Even if you don’t make any mistakes in disclosing your trademarks or patentable ideas before you protect them, you could undermine your success by using an idea or contribution that someone sends you or posts on the crowdfunding website.  (Most allow comments on publicly visible projects.)  Some sites (such as Indiegogo) specify that the project sponsor owns rights in all submitted comments.  But one of the largest crowdfunding sites, Kickstarter, does not even define the ownership of submitted materials.  So if you use someone’s suggestion, it’s not clear whether they might have a legal claim against you for a share of your success.

If you’re using crowdfunding, you may not be thinking about the business and legal issues that will crop up once you’re successful.  But you should at least consider these issues before publishing your best ideas for the whole world to see.

Eight Reasons Not to Use the Madrid Protocol for Trademark Protection in the United States

Posted by Nicholas Wells on February 06, 2013  /   Posted in Trademarks

Note:  I first published this article as the cover story in the Dec/Jan issue of ITMA Review, a print-only publication from the UK’s Institute of Trade Mark Attorneys.  It was co-authored with Allister McManus of ipconsult.

The Madrid Protocol is a tremendous tool for helping your clients secure trademark protection in other countries.  In some cases, costs can be cut in half by using the Madrid Protocol.  The ease of handling renewals and assignments is a further benefit— a modest fee and a single form (in English) can update trademark records in dozens of countries.

As a quick review, to use the Madrid Protocol, one begins with a local trademark application (the Basic Application as filed at the Office of Origin—the IPO).  The owner requests the IPO to submit the application to the World Intellectual Property Organization (WIPO) where it becomes a so-called International Registration, a supranational document that does not protect the mark in any country, but which permits WIPO to submit it to all of the designated countries.  The designation of countries in which protection is desired is called a Request for Extension of Protection (REP).  Each countries’ trademark office then reviews the application and (hopefully) approves it under local laws.

Despite the potential advantages of using the Madrid Protocol, it isn’t right for every mark.  The typical concerns are well known to most trademark practitioners.  Two of the most serious limitations are these:

First, if the Basic Application is abandoned or cancelled anytime during the first five years after the International Registration is issued, then all foreign applications and registrations that are based on the International Registration will automatically be cancelled as well.  This is called a Central Attack.  Such cancelled local marks can be converted to standard national marks, but only at significant expense and effort.

Second, the owner of the International Registration cannot transfer ownership of any dependent marks to an owner that is not resident in a member country.  This means, for example, that marks obtained under the Madrid Protocol cannot be transferred to a Canadian owner without first withdrawing the marks from the Madrid System at great expense.

While experienced UK trademark practitioners are well-aware of the advantages and disadvantages of Madrid-based applications, they may be much less aware of additional obstacles raised under the trademark laws of the United States for applications submitted through WIPO.  The remainder of this article discusses eight concerns arising under U.S. law that are specific to trademark applications filed in the U.S. through a REP under the Madrid Protocol.



1. Inability to Use Supplemental Register

Marks cannot be registered in the U.S. if they are “merely descriptive” of the relevant goods and services unless the mark has acquired secondary meaning as a trade mark.  Where this not possible, U.S. law provides a secondary trademark register, called the Supplemental Register, where descriptive marks can be registered without showing secondary meaning.  A mark on the Supplemental Register gains some benefits of registration, including the ability to preclude other confusingly similar marks from registering.  After five years on the Supplemental Register, a mark is eligible for registration on the Principal Register, where it will be accorded full legal protection.

But Madrid-based applications are not eligible for the Supplemental Register.  If a mark within a Madrid-based application is deemed merely descriptive, there is no possibility of moving it to the Supplemental Register as would be done with a direct-filed application.  Instead, the must be abandoned and a new national application filed, incurring additional fees and losing the priority date of the Madrid-based filing.

2. Inability to change class numbers

The next three points involve class designations for the goods and services within an application.  The U.S.P.T.O. is known (infamous) for the specificity that it requires in a description of goods and services.  For direct-filed applications, however, the Office is flexible in permitting adjustments to ensure that anything within the scope of the original language of the application can proceed to registration (barring other obstacles).  Because Madrid-based applications are tied to an International Registration, however, the U.S.P.T.O. imposes several restrictions in how a description of goods and services can be amended.

The first restriction is that the class numbers used within a Madrid-based application cannot be changed.  For example, if a Madrid-based application lists “laminating film for inkjet paper” in class 16, the U.S.P.T.O. will reject the description because these goods belong in Class 17.  Yet the Office will not permit the goods to be moved to Class 17; the application can only contain the specific class numbers that were originally submitted by WIPO.  In this example, the application cannot be saved because the wording is narrowly drawn.

3. Inability to move goods between classes

Within direct-filed U.S. applications, it is permissible to move goods between classes to achieve correct classification.  That is, any goods that are within the scope of the language of the original application may be placed within any class that is part of the application.  For example, if an application included “Mattresses and mattress pads” in Class 20 and “bed sheets and duvet covers” in Class 24, the Office would permit “mattress pads” to be moved to its correct place in Class 24.

But in a Madrid-based application, such moves are not permitted.  In the above example, “mattress pads” would need to be deleted as not being in Class 20, even though the proper class (24) is already part of the application.

4. Inability to add classes

A final related issue is that classes cannot be added to an application.  Within a direct-filed application, it is a simple matter to pay an additional per-class filing fee to add a class to an existing application so that goods included in the originally filed application can be properly classified.  This is useful in at least two circumstances.  The first is where many items are listed in one class and the trademark examiner requires that an item must be moved to its proper class, but that class was not part of the original application.  The applicant may pay the additional per-class fee, have that item moved to the newly added class, and the application proceeds.  The second is where a client wishes to delay payment of some fees.  Goods in many classes can be listed in a new application without designating any class numbers.  The trademark examiner will issue an office action listing the applicable classes for the goods in the application.  The client can then pay the additional per-class filing fees (or delete any unneeded goods and services) so that the application can proceed.  This may allow a delay in paying the majority of filing fees for more than 9 months from the original filing date.

But this option is not possible with a Madrid-based application.  Considering the above example, if a Madrid-based application included “Mattresses and mattress pads” in Class 20, it is not possible to add Class 24 to the application.  The only option is to delete “mattress pads” from the application.

To be fair, the above three issues related to the description of goods and services are less traumatic than they might be because Madrid-based applications coming to the U.S. from the U.K. typically have more broadly worded descriptions that permit greater flexibility when submitting amendments than might otherwise be the case.  For example, if a class heading has been used, then this can often be amended to include anything that would be within that class.  Yet we have seen numerous instances where clients wishes to maintain certain items within a pending Madrid-based application but were forced to delete it (or abandon an application altogether) because of the challenges noted above.



5. Inability to add further filing bases

A Madrid-based application is submitted to the USPTO by WIPO under Section 66(a) of the U.S. Trademark Act.  Direct-filed applications may be filed under one of several different filing bases, such as 1(a) for “use in commerce” applications, 1(b) for “Intent to Use” applications, and 44(d) to claim date priority to an earlier non-U.S. application.  None of these filing bases can be included with a Madrid-based application, which can only list Section 66(a) as its filing basis.  The practical limitation that this imposes is that a Madrid-based application has no flexibility to specify an earlier priority date under the Paris Convention, and no ability to immediately allege use of the mark in commerce, which may result in a weaker registration.

6. Weakness of registrations in disputes

In the U.S., rights in a mark arise through use of the mark in commerce.  U.S. law does permit Madrid-based applications to register without first establishing use of the mark in commerce within the United States—this is one great advantage they have over direct-filed applications.  Yet if a dispute arises in a U.S. court regarding a Madrid-based registration, the opposing party will seek cancellation of the mark because there is no record that the Madrid-based registration has been used in commerce in the U.S.  Thus, the burden of proving use of the mark will fall on the mark owner.

Conversely, a direct-filed U.S. application must provide the U.S.P.T.O, with evidence of using the mark in commerce before it can register.  Because of this requirement, a direct-filed registration is prima facie evidence of using the mark, and in a dispute the burden falls on the opposing party to show that use has ceased or was fraudulently alleged to secure the registration.  Thus, in general, direct-filed applications are in a better position during litigation that Madrid-based applications.  (After a Madrid-based registration passes its six-year anniversary so that evidence of use has been submitted to the U.S.P.T.O., the Madrid-based registration would be on an equal footing with a direct-filed registration.)

7. Inability to modify marks

After a mark has been submitted to WIPO to become an International Registration under the Madrid Protocol, the mark itself cannot be changed.

The U.S.P.T.O., however, allows “non-material” changes to a mark, both during prosecution and after issuance of a registration (via Section 7(e) of the Trademark Act).  Examples of non-material changes include redesigned logos that adjust non-material design elements or word marks in which a hyphen or space is deleted or added.  Thus, if the owner of a mark makes minor changes to the mark after the initial application is filed, the mark as used in commerce will differ from the mark as it appears in the trademark application or registration.  This may be raised as an issue in any dispute proceedings.  It will also impede the owner’s ability to submit an acceptable Statement of Use to the U.S.P.T.O., which may result in the registration being cancelled.  We have seen cases where a word mark was registered with a space but was being used without a space; the Statement of Use was rejected because it did not match the mark as registered, so that the mark had to be amended under Section 7 before the Statement of Use could be accepted.

8. Danger of missed deadlines

An International Registration is subject to renewal every 10 years by filing a renewal form and appropriate fee with WIPO.  This serves to renew the mark in all countries in which it is registered through the International Registration.



However, the U.S.P.T.O. imposes separate and distinct maintenance rules for U.S. marks, including those obtained via the Madrid Protocol.  Specifically, an affidavit to allege use of the mark must be filed between the 5th and 6th anniversary of the date of U.S. registration (not the date of filing); and between the 9th and 10th anniversary of the date of U.S. registration and every ten years thereafter.  If the International Registration is renewed, but the proper affidavits are not filed directly with the U.S.P.T.O., the U.S. registration will be cancelled.

Our experience has shown that these U.S. filing deadlines are often missed by non-U.S. mark owners, resulting in unintended cancellation of U.S. marks.

In summary, the Madrid Protocol is a powerful tool for lowering costs and managing the maintenance of international trademark portfolios.  When such portfolios include the United States, the above factors should be taken into consideration to decide whether the Madrid Protocol or direct filing in the United States will better serve the client’s needs.

The Khroma Brand Name & The Kardashians – Trademark Law at work

Posted by Nicholas Wells on January 24, 2013  /   Posted in Trademarks

Kardashian TrademarksChroma is the Greek word for color, and many entrepreneurs are now sorry that they ever decided to use even a variation of that word in their business names. Since the Kardashian sisters have entered the makeup marketplace with their line of Kardashian Khroma makeup, small cosmetic business owners across the country have begun to fear for the future viability of their companies.

According to Manta, a small business community resource, there are at least 200 small United States businesses that use the word chroma to identify their companies.  Many of these are cosmetic concerns, and their owners are already reeling from the power of the Kardashian name.

Limited Possibilities for Growth
Kardashian Khroma is now available nationwide at Sears, K-Mart and CVS. Small cosmetics companies who had previously planned to take their brands national are now stymied, since no major department stores would consider stocking two brands of equal products with nearly identical names. Individual producers of their own brands of chroma cosmetics also legitimately worry that consumers will be confused because of the similar product names, and will desire the soon-to-be well known Kardashian brand over any others.

While entrepreneurs who feel they have a superior product can rename their businesses and start over, many who have toiled for ten or more years to build their own brands have no desire to give up what they have fought for. Therefore, the answer for them is litigation.

Common law Rights

Common law trademark rights do exist, although most intellectual property law attorneys feel that the use of the common law statutes is one of last resort. While the common law can be of some assistance in the attempt to protect a business name, the use of this legal theory does not offer the same benefits that genuine trademark registration does.



Trademark Rights

Lee Tillett, an Orlando Florida businesswoman who, since 2004 has marketed a line of cosmetics she has called Kroma, applied for a registered trademark with the US Patent Office in 2010. The trademark was finally granted last year. When the Kardashians attempted to trademark their Khroma name, their application was refused, but that fact didn’t stop Kim, Khloe and Kourtney from launching their brand anyway.
If a registered trademark is infringed upon, the legal remedies are the ability to recover lost profits, the collection of monetary damages along with attorney’s fees, and even triple damages if the infringement is found to be willful.

Tillett attempted to reach a mutually acceptable settlement with the Kardashian’s licensing company, Boldface, but talks failed, and Boldface actually sued Tillet’s company in order to get legal permission to use the Khroma name. Tillet countersued for damages of $10,000,000.

The progress and eventual result of this litigation will be carefully watched by lots of small businesses, and even if no one is legally enjoined from using variations of the chroma name, it’s obvious who has the global reach and financial power to eventually prevail.

Free Trademark Guide

Posted by Nicholas Wells on December 12, 2012  /   Posted in Ads

To receive your complimentary copy of the Guide to US Marks for Non US Companies, please fill out the form below:

 

  1. (required)
  2. (valid email required)
  3. Submitting this form does not create an attorney-client relationship. Do not submit confidential information.
 

cforms contact form by delicious:days

Recipe Copyright Ownership for Restaurants and Chefs

Posted by Nicholas Wells on November 14, 2012  /   Posted in Copyright
Recipes-Food photo

Photo: Gunnar Magnusson

There are many nuances when it comes to copyright ownership of recipes created by a chef while employed at a restaurant, but there are some simple ways for a restaurant owner to protect recipes created by a chef from copyright issues.

The easiest and simplest way is for the chef to sign a written employment agreement or a “work made for hire” document (if the chef will not be a formal employee) before starting employment at a restaurant. Under this document, all recipes created by the chef belong to the restaurant, even if they were created on the chef’s own time and using ingredients and equipment purchased and owned by the chef.

Without a proper agreement in place, the chef will have a legal basis to claim that any recipes the chef creates on his/her own time off the restaurant premises and using personal equipment and ingredients belong to the chef, not the restaurant. Recipes created and recorded before the term of employment belong to the chef, even if they are used on the restaurant menu while the chef is employed there.  Such exceptions should be listed in the written agreement with the chef.

Of course, the agreements mentioned above should be adjusted to suit the specific parties involved, so be sure to seek legal advice on the exact wording so that it covers your intent precisely.



There are also rules about what constitutes a copyrightable recipe:

  1. The recipe must include preparation instructions or other information beyond just a list of ingredients.
  2. The recipe must be recorded in writing or an electronic media (not just in the chef’s head).

Work that has not been recorded on a tangible medium is not copyrighted, but as soon as a recipe has been recorded, it is copyrighted. A formal copyright registration is not required, although it’s recommended, because you cannot file a lawsuit for copyright infringement unless the copyright is registered.  This registration requirement is the same rule that applies to other copyrighted works.

Because recipes are so intrinsically a part of both the restaurant’s reputation and the chef’s reputation, it is prudent to execute a properly worded agreement that covers ownership of all recipes created by the chef during the term of employment.

Publishing Advances and Writing Commitments

Posted by Nicholas Wells on November 01, 2012  /   Posted in Entertainment Law, Publishing

Earlier this month, The Penguin Group, second largest trade book publisher in the world, sued five authors who accepted advances but never produced the promised books.  The authors included:

  • Elizabeth Wurtzel, author of Prozac Nation, who signed a $100,000 deal for another book in 2003;
  • Blogger Ana Marie Cox, who signed book deal in 2006;
  • Rebecca Mead, a staff writer at The New Yorker;
  • Holocaust survivor Herman Rosenblat, whose history, as told to Oprah Winfrey, turned out to be a fabrication; and
  • Conrad Tillard, who signed a contract in 2005 to produce a memoir.

Copies of the original publishing contracts were submitted with the lawsuits and showed that the total advance amounts were between $30,000 and $325,000.  Publishers normally split advances into multiple payments as milestones are reached, such as contract signing, delivery of so many chapters, delivery of completed first draft, etc.  None of these defendants had received the full advance that their contract provided for.

Most traditional publishing projects give the author an advance against royalties.  The amount depends on the strength of the project and who the author is.  New genre novelists might receive $2,500 (or nothing at all).  Name-brand novelists might receive from several hundred thousand to a few million dollars, divided over a multi-book contract (where they receive a portion of the advance for each manuscript delivered).  Bill Clinton (the winner so far) received a $15 million advance for his memoir, My Life.

The word “advance” means an advance against royalties earned by sales of the book.  So the publisher is paying royalties in advance of when they are actually earned.  If the book sells well, royalties accumulate based on the percentages given in the author’s contract.

Once the total amount of royalties earned exceeds the advance paid to the author, the publisher starts cutting regular checks to pay the author the additional royalties earned beyond the advance.  That’s called “earning out.”  Many books don’t sell enough copies to earn out the author’s advance.  But advances are usually non-refundable.  That is, if the author produces the book, and it doesn’t sell well, the author doesn’t have to pay back the advance.  The publisher is taking a risk that they can sell enough books to cover the advance.  That’s why people like Bill Clinton or John Grisham can collect huge advances.  Their publishers are confident that they will sell enough books to cover the advance.

It’s interesting that Penguin waited between 4 and 9 years after a contract was signed to sue these five authors.

Depending on the circumstances under which a project ends—and on the amount of money in question—publishers have been known to let an author keep an advance payment as a sign of good faith for a project that just didn’t turn out as expected.

I have no quibble with requiring an author to repay an advance if the author simply did not perform.  But I also take it as a sign of the times in the world of traditional publishing that the second largest trade book publisher would go to the expense of a lawsuit to recover amounts as low as $22,000.

 

Nicholas Wells represents new authors in contract negotiations with book publishers.

 

 

Google Changes Search Algorithm to Downgrade Sites Accused of Copyright Infringement

Posted by Nicholas Wells on October 03, 2012  /   Posted in Copyright, Internet Law

About a month ago, Google made a significant change to its search algorithm. With this change, Google will downgrade websites that are accused of violating copyright laws.

Google, in an http://insidesearch.blogspot.com post, said that the new algorithm will take into account the number of valid copyright takedown notices that Google receives. Sites referenced in a higher number of removal notices will receive a lower ranking in Google search results.

The algorithm change should benefit websites that respect copyright laws and protect rights holders. Google believes that this new algorithm will “…help users find legitimate, quality sources of content more easily.”

Many groups have supported the change, including the MPAA.  The senior executive vice president for global policy of MPAA was blunt: “[we]…look forward to Google taking further steps to ensure that its services favor legitimate businesses and creators, not thieves.”

However, other groups are concerned about the new algorithm. Many worry that the change will be abused and that many websites will be demoted unfairly. So far, Google has not specified a process to address the concerns of site owners who believe their sites have been demoted unfairly.

Digital rights advocates want more details on how the new algorithm works and how Google will determine which sites will be demoted.  They’ve expressed concern that Google’s actions could result in lower search rankings for sites that contain relevant and lawful material.  But for the time being, Google has not disclosed further details of their algorithm.

In the blog post announcing the change, Google said that they are receiving more takedown notices than ever—4.3 million URLs in a recent 30-day period.

Google has admitted that it is not in the business of evaluating the legality of web pages. Amit Singhal, one of the Google senior vice presidents of engineering, stated that Google will not remove pages from search results unless Google “receives a valid copyright removal notice from the rights owner.” Yet the number of valid notices received will affect the ranking of the entire site within Google’s search results.

This change in Google’s ranking algorithm also presents an opportunity for those who are short on ethics.  A business could send a flurry of takedown notices to Google in order to lower a competitor’s search engine rank.  That would be illegal, but for some, that may not matter.

Five Reasons Every Website Needs Terms of Use

Posted by Nicholas Wells on September 27, 2012  /   Posted in Internet Law

Anyone who has registered on a website has seen the “I Agree” checkbox at the end of the process.  You can’t register unless you agree to the website’s Terms of Use.  Whether you run your own website or just register on other websites, you may wonder, are those Terms of Use really necessary?

When you run a website, many legal problems can crop up.  A website without a Terms of Use agreement is likely to fall prey to things like accusations of copyright and trademark infringement, trade liable, fraud, and unfair competition. A Terms of Use agreement is not just a good idea, it is critical to protecting you as a website owner.

When you’re using a website and click “I Agree” or “I Accept” next to the Terms of Use, you are forming a binding legal agreement—a contract—between you and the website owner.

Clicking on a button to “sign” a contract has been upheld many times in court, but if you’re a website owner, you need to be sure to design your website so that your Terms of Use form an enforceable and binding contract.  (If users don’t register on your site, and so don’t click an “I Agree” button, it is harder to enforce your Terms of Use as a contract, but they are still important.)

Here are five big reasons website owners should include Terms of Use on their websites:



1. Disclaiming Warranties

Your Terms of Use can disclaim warranties, so that users can’t blame you if something goes wrong.  For example, a user could claim that they were infected with malware from visiting your site.  Or they might sue you because your website was down for a time and they were relying on it for their business.

2. Defining Permitted Conduct

Your Terms of Use can define what users are permitted to do with the content of your website.  Put another way, the terms define the scope of the license that users have to use your content. They also define what user-generated content people are allowed to upload or submit to your site. This is critical for websites that allow users to submit comments or upload media files.

3. Covering Your Legal Costs

Your Terms of Use can require that users indemnify you if they violate anyone else’s rights. That means, for example, that if a user uploads a file that violates someone else’s copyright and you get sued, the user must pay all of your legal costs.

4. Limiting Damages

Your Terms of Use can limit the amount of money that someone could obtain from you in court, even if they got around some of the other provisions like the disclaimer of warranties.

5. Resolving Disputes

Your Terms of Use can require users to handle disputes in certain ways, so that you don’t end up being dragged into court in a far-away state.  For example, you can require that users rely on mediation (which is much less expensive than court), or you can require that any court action must be in your hometown.

These five points touch on just a few of the ways that a Terms of Use document can protect you as a website owner.  If you implement one properly and keep track of how and when users click to accept your Terms of Use, you’ll go a long way to protecting yourself from legal troubles as a website owner.